GAIA MANDALA
GLOBAL HEALING COMMUNITY
Earth Treasure Vase for Yuin Country, South East Coast, Australia
Earth Treasure Vase atop its handmade box along the shores in Walbunja Country.
Introduction from Earth Treasure Vase Steward, Ben Manbulloo Emery
Benjamin Manbulloo Emery
Earth Treasure Vase steward, pilgrimage leader and outback guide.
Clyde River at Shallow Crossing
Didthul Mountain
Ben writes,
’The Earth Treasure Vase practice is all about bringing our heart’s love and blessings back to the people and the local areas. This practice brings an opportunity to reconnect with Mother Earth. The Earth Treasure Vases bring healing powers wherever they go. The Australian Aboriginal Culture IS this to me, in the purest essence. Our people are totally connected to our Mother all of the time; her power, blessings and teachings run through us every moment we breathe and through the Earth Treasure Vase practice we are able to give back our gratitude, blessings and prayers.’’
Burial Ceremony: Old Man Vase Enters the Dreaming
Sacred Didthul Mountain in Yuin Country where the ETV was placed.
At dawn on the Full Moon of October 2018 in Australia’s Yuin Country, the Earth Treasure Vase stewarded by Ben Manbulloo Emery, his wife Brooke, their son Judd, and a group of dedicated Earth Treasure Vase pilgrims, buried the “Old Man Vase” at the base of an old Ironbark tree, facing Southeast upon Didthul Mountain in the Budawang wilderness of Walbunja Country, Yuin Nation, southeastern Australia.
As the trip began, Ben wrote:
‘’We are now together! The group is now a mob! Through all the challenges we have faced getting here with weather, illness, aviation difficulties and energetic imbalances to address, we have prevailed to bring us all together, with the wisdom, the dedication, the heart, the blessings and the guidance of the “old man vase“ and we now are as One. With a good night’s rest and full bellies we begin the wondrous journey from the mountains and fresh water to the saltwater sea. I thank my ancestors, I thank my fellow travelers, I thank my family, and I thank my sister, bungann Cynthia, for the honor to embark on this pilgrimage.’’
Ben Manbulloo and Julian Silburn (playing didjeridu) in ceremony with Old Man Vase
Ben had stewarded the Vase since our first Earth Treasure Vase pilgrimage in Australia in 2013. When he got back home to Yuin Country with the Vase after that life-changing time, Ben’s elder, Aunty Helen spoke to him:
‘“Now” she said, “Your sister gave you something real important (the Earth Treasure Vase) to her and to her spirit. So when it’s time, and when that Old Man Vase you are carrying needs to come to me, you tell me, my boy, and we will start to prepare. You know where it needs to travel to, and you know who needs to be there. Our country has been waitin’ for you to come back home, back to your place, back to where you belong.”
It took five years and many life changes to bring the Old Man home. This journey was a great fulfillment for all. The burial place was located high up on a ridge on Didthul (meaning, ‘woman’s breast’) Mountain in what is considered women’s country, sacred to the local Walbunja People. It was buried deep in the base of an old ironbark stump facing southeast, dug in by all hands, accompanied by the sound of Julian’s crystal didjeridu.
Placing the Old Man at the base of the Ironbark tree
The Continued Tale of Old Man Vase
Murramarang (meaning ‘ceremony’) Camp where the saltwater and
freshwater meet at the end of the Old Man’s journey. Photo by Julian Silburn.
A New Dreaming
by Magi Whisson
Ben Manbulloo Emery offering a kata scarf to the old man vase in its handmade burial box.
With right relationship held by this small group representing greater humanity, with hearts and souls open to the gathered ancestors and the work of transformation, this Old Man Vase was buried at the base of an old ironbark tree. Yet even here there was some initial resistance to the Earth receiving this Vase. It lingered within the surface layer of the Earth. The chanting and the playing of the Didjeridu had to gather in greater intensity and duration to further initiate its penetration. The group continued until all was ready, until the moment came when “it was done”. Old Man Vase was deeply received into the depths of the Earth and into those other realms. It was then that a deeper Mystery began.
Burial of Old Man Vase
Traditional Smoking Ceremony to prepare for the pilgrimage
with Ochre painted on Milwanga Wurrben’s hands – photo by Eva Iken
“The day will come when after mastering the winds, the waves, the tides and gravity, we shall harness for God the energies of love. And then for the second time in the history of the world, man will have discovered fire”. (Teilhard Chardin)
Perhaps within the Mystery of this Earth Treasure Vase placement the workings of “white fire” are being gifted as part of the Great Solution. A new Dreamtime story in Creation. May it be so.
The Heart of the Journey is a Powerful Little
Container of Personal and Global Hopes
by Louise Gilmore
Yuin Country Earth Treasure Vase – photo by Magi Whisson
The first night camping at Charleyong, beside the Shoalhaven River, started out warm, but then by morning there was a thick, cold mist. Although my tent flap was oriented east, the sunrise hid in a disorienting curtain of swirling, thickening patterns and hollows, suggesting unseen energies. Concealing not only the day but maybe the past? I gradually felt drawn more fully into this land, which has been inhibited by a violent history. It seems significant that this area is the place of ‘first contact’ with Europeans and that the local tribes saw the ships, knew this meant trouble and lit signal fires to warn the other tribes further north.
Kangaroos at Charleyong Camp in the morning mist – photo by Eva Iken
Great Mother Tree, a 500 year-old Spotted Gum (left) Great Mother Tree blessing
Milwanga Wurrben (right). Photos by Julian Silburn and Eva Iken.
The Sacred Treasure of the Practice
by Julian Silburn
Julian and his crystal Dijeridu – photo by Magi Whisson
Being the ceremonial musician for all the sacred Earth Treasure Vase placements in Australia has been an absolute honor. Since 1997 I have been involved in Earth Healing using my Didjeridu (also called Mago) to send healing vibrations and heart centered prayers into the collective field. This was the same year I was living in the Northern Territory with Aboriginal people and learning the ancient Mago and Yidaki sound traditions from my teacher, ceremonial Elder David Blanasi. It is my experience that the Earth Treasure Vase practice creates an amplification of this healing energy by the involvement and cohesion of like-minded individuals who come together as a team to care deeply for the collective health of our family of light.
We come to be of service for our beloved Mother Earth. When we chant the Tara mantra and I support this through playing the Mago, I feel the Earth receive our prayers. I sense all the beings connected with our shared prayers for healing are with us as an Earth Treasure Vase family—the Ancestors, Lineage Masters, Elders and many more. I feel the vibration go tangibly deeper and deeper through any layers of resistance until it reaches the light grid of the other Earth Treasure Vases. Once it joins this collective grid the feeling of resistance subsides and the feeling of completion gains in energetic strength and perceptibility. Then the feeling is clear: the healing is done.
I made a prayer as a child that if I could somehow be of assistance to relieve the suffering in this world I would do my part. I believe many of us feel this calling. These Earth Treasure Vase journeys are so reassuring as we get to meet our family of fellow caretakers who are so deeply called to Country. It is really a joy and so very rewarding to share this service and love for our Great Mother, giving back and offering our highest prayers and healing for all beings. This is the sacred treasure of the practice. Our hearts are healed in the process as we listen, resonate and feel the heart prayers of others. It is a deeply moving and empowering journey to be part of.